{Free eBook} BluebeardAuthor Kurt Vonnegut – Schematicwiringdiagram.co

Broad Humor And Bitter Irony Collide In This Fictional Autobiography Of Rabo Karabekian, Who, At Age Seventy One, Wants To Be Left Alone On His Long Island Estate With The Secret He Has Locked Inside His Potato Barn But Then A Voluptuous Young Widow Badgers Rabo Into Telling His Life Story And Vonnegut In Turn Tells Us The Plain, Heart Hammering Truth About Man S Careless Fancy To Create Or Destroy What He Loves


10 thoughts on “Bluebeard

  1. Arian Arian says:

    One thing I ve discovered is that people tend to have different favorites of Vonnegut s work Many prefer Slaughter House Five, some love Breakfast of Champions, and my sister s favorite is Galapagos The only person I ve ever met whose favorite Vonnegut book is Bluebeard is me So it goes.The book follows former abstract expressionist painter Rabo Karabekian, serving as his autobiography and a mystery story simultaneously The mystery What is Rabo keeping in the huge potato barn on his large estate.Some of you may remember Mr Karabekian from Breakfast of Champions he was largely the same character, albeit younger in years He s famous for his paintings, you see he would take huge canvases, spray paint them all one color, and put pieces of colored tape on them There s several jokes regarding Rabo s paintings, one of which he gave away in Breakfast his work is Rabo s view of the human soul When you strip away all of the unnecessary crap that makes us up, we re all basically glowing shafts of light, represented by the pieces of tape I won t give away the other joke, but it s a good one Anyway, this book is a lot of things a reflection on an imaginary life, a faux biography, and a moral we could all probably take to heart And we do get to find out what Bluebeard keeps in his potato barn It s a darned big thing.


  2. J.L. Sutton J.L. Sutton says:

    Everything about life is a joke Don t you know that From beginning to end, Bluebeard has Kurt Vonnegut written all over it His irreverent tone, summed up in the quote above, along with his concomitant exploration of what it means to be human, brings together familiar themes in Vonnegut s work Bluebeard is the mock autobiography of abstract expressionist painter, Rabo Karabekian, a character who first appeared in Breakfast of Champions This is a book about what art is and what it can do in a society in which, according to Karabekian, the young people of today seemed to be trying to get through life with as little information as possible For Karabekian, such information offers a connection to humanity and all of its symbols and cultural artifacts It thus goes to the heart of what it means to be an artist However, best selling popular writer, Circe Berman who moves in with Karabekian tells him that such knowledge is useless Their relationship reflects a debate between high and low culture It is no surprise then that Karabekian and Berman have a very different view of the abstract expressionism Karabekian espouses Karabekian is repeatedly asked to explain what his art is about However, in a response that works for the artist as well as the writer, he repeatedly maintains that the artist doesn t owe it to the public to give them what they want What s really wanted is a challenge Not sure how I ll place it with other Vonnegut classics, but I really enjoyed Bluebeard 4.5 stars The darkest secret of this country, I am afraid, is that too many of its citizens imagine that they belong to a much higher civilization somewhere else That higher civilization doesn t have to be another country It can be the past instead the United States as it was before it was spoiled by immigrants and the enfranchisement of the blacks From Bluebeard 1987


  3. Cecily Cecily says:

    This is Vonnegut, so it s quirky, knowing, silly, intelligent, funny, mysterious what IS in the potato barn and anti war amongst many other things It s conversational, and broken into very short chunks, but don t be deceived into thinking it s lightweight It claims to be the autobiography of Rabo Karabekian, an Armenian American WW2 veteran who became a major figure in Abstract Expressionism, after an apprenticeship with realist illustrator, Dan Gregory It reads as a memoir, interspersed with Bulletin from the present sections which cover the eventful months he wrote it The backstory is relatively straight the present day, comical All the main characters are fictitious, but a few real names are dropped, such as Jackson Pollock It s the 1980s, Rabo is in his 70s, and is living alone in a huge house in the Hamptons He no longer paints, but is wealthy from his art collection and from property he inherited on the death of his second wife, Edith He s not actually alone, as his cook lives in, with her daughter, and his writer friend, Paul Slazenger, practically lives there But he wants to be alone, or thinks he does until it looks as if it s going to happen his mother thought the most pervasive American disease was loneliness Then the widow Circe Berman turns up, and everything changes.Image abstract expressionist picture by Willem de Kooning, The Visit 1966 7 Source The Meaning and Value of Art How can you tell a good painting from a bad one All you have to do is look at a million paintings, and they you can never be mistaken. Should paintings and their titles communicate If not, what s the point This is a recurring question, with a variety of answers Old, lonely, and guarding his Abstract Expressionist paintings, Rabo says that they are about absolutely nothing but themselves , and lack of passion and message in his works was why he was rejected by art school When Circe first sees his abstract works, she declares you hate facts like poison And yet Rabo CAN draw very well the fact he doesn t is because it s just too fucking easy In contrast, Dan Gregory s works are hyper realistic, and Rabo describes them as truthful about material things, but they lied about time because Dan was a taxidermist of great moments One of the first things he taught Rabo was the importance of the phrase The Emperor has no clothes It s for the reader to decide which art that applies to.There is a visceral thrill I discovered something as powerful and irresponsible as shooting up with heroin if I start laying on just one colour of paint to a huge canvas, I could make the whole world drop away But it doesn t work like that for everyone of one artist, I would look into his eyes and there wasn t anybody home any , and he says similar about someone else Inflated art prices and exploitative venture capitalists and investment bankers are lampooned, especially by the fact that My paintings, thanks to unforeseen chemical reactions all destroyed themselves , including ones that sold for 20,000 Sateen Dura Luxe proved to be anything but durable In contrast, his teenage works were made with the best possible materials, given to him from the stores of a successful artist.Writing is another art form central to the narrative Rabo is now writing his friends Circe Berman and Paul Slazenger are also writers, of varying success, and the letters of Dan Gregory s PA, Marilee, are crucial to the story The secret is to write for just one person How you decide who that is, is unclear.Circe BermanThe widow Berman is a wonderful comic creation I d love to meet her, though hate to share a home with her Her opening line on meeting Rabo is Tell me how your parents died , because hello means don t talk about anything important It s also symptomatic of her pathological inquisitiveness the most ferocious enemy of privacy I ever knew His father died alone in a cinema, and she immediately asks What was the movie shades of Graham Greene s short story, A Shocking Incident Her chutzpah is breath taking the way she storms into Rabo s life and takes control of him, his house, his time and those around him He is staggered, outraged and compliant Who is she to reward and punish me, and what the hell is this a nursery school or a prison camp I don t asker that, because she might take away all my privileges Bluebeard and What s in the Potato BarnI read this book because I wanted to read another Vonnegut, and I was intrigued to see to what extent the title reflected the traditional story of Bluebeard see my review of Angela Carter s version HERE , or even its echoes in Jane Eyre see my review HERE It s a gentle nod, but it helps if you re aware of the original In the grounds, Rabo has a potato barn that used to be his studio It is now locked up, and its contents secret I am Bluebeard, and my studio is my forbidden chamber , but there are no bodies in my barn Much of the book is an elaborate tease as to what s in there, why, and whether the reader will ever find out In contrast to his allegedly message less paintings, Rabo says that the barn contains the emptiest and yet the fullest of human messages There are other forbidden places Dan Gregory s is the Museum Of Modern Art, Paul Slazenger s is his Theory of Revolution, currently in his head, and Circe Berman must have something, but I don t know what or where War, Death, and ResurrectionThe main character is an injured veteran who came to the US as a child refugee from another war It s not a ranting pacifist book, and Rabo himself has fond memories of the army, but Vonnegut s anti war opinions shine through, especially at the end Sometimes this is poignant Rabo is utterly repulsed by the scarring around his missing eye, and always wears a patch Sometimes it is satirical WW2 was promoted to Americans on promises of a final war between good and evil, so that nothing would do but that it be followed by miracles, Instant coffee was one DDT was another It was going to kill all the bugs, and almost did Nuclear energy was going to make electricity so cheap that it might not even be metered Antibiotics would defeat all diseases Lazarus would never die How was that for a scheme to make the Son of God obsolete In fact, it s Rabo who is Lazarus Circe explicitly says so when he complains about her intrusion into and control of him, I brought you back to life You re my Lazarus , and his beloved second wife, Edith, had had a similar effect.As a youth, Rabo assumed society had evolved so that people would no longer be fooled by the apparent romance of war, but as an old man, he observes you can buy a machine gun with a plastic bayonet for your little kid.The Inimitable Dan Gregory Refrain The central third of the book feels as much like a biography of Dan Gregory as of Rabo.Where Slaughterhouse Five has the recurring phrase so it goes , in this, it s a series of superlatives about Dan Gregory Nobody could do x like Dan Gregory His achievements include draw cheap, mail order clothes , paint grime , counterfeit rust and rust stained oak , counterfeit plant diseases , counterfeit accents from stage, screen and radio , counterfeit images in dusty mirrors , paint black people , put of the excitement of a single moment into the eyes of stuffed animals Quotes Never trust a survivor until you find out what he did to stay alive Perfectly beautiful cowboy boots dazzling jewelry for manly feet She had life I had accumulated anecdotes Old canvases Purged of every trace of Sateen Dura Luxe, and restretched and reprimed dazzling white in their restored virginity They are a negation of art They aren t just neutral They are black holes from which no intelligence or skill can ever escape Worse than that, they suck up the dignity, the self respect, of anybody unfortunate enough to have to look at them What Rabo thinks of Circe s choice of pictures Suggested by Rand, as being in a similar vein to Vonnegut s excellent Galapogos see my review HERE.


  4. Darwin8u Darwin8u says:

    What a fool I would have been to let self respect interfere with my happiness Kurt Vonnegut, Bluebeard A pseudo memoir of Rabo Karabekian a minor Abstract Expressionist whose art literally disappeared thanks to a poor choice in paints It is hard to relay what the book essentially is, but obviously it is an autobiography of an almost loner, a hermit with a roommate He lives in his big house in the Hamptons among the art he bought cheap Rothkos, Pollocks, etc years ago He is being bullied into writing his memoirs by Polly Madison, a writer of cheap blockbuster novels At its heart, this novel is Vonnegut working his way through some of his previous big themes war, isolation, humanism, pacifism along with explorations of art, commerce, c.This isn t one of his better novels, but is firmly in the middle of the pack I personally wish Vonnegut spent time playing with the artistic canvas, but the sections he spent dealing with Rabo apprenticing under Dan Gregory I get a N.C Wyeth or Howard Pyle vibe , a very popular illustrator, is worth the entire cost of reading anything clunky in some of the other sections.


  5. Rowena Rowena says:

    This is maybe the fourth or fifth Vonnegut book I ve read, having only been introduced to him recently, sadly I m becoming quite a fan of his writing What I like about him is that a lot of deep truths mask the ironic and humorous statements he makes Definitely a must read for those who like satire.


  6. Ian "Marvin" Graye Ian "Marvin" Graye says:

    Come DancingBy the time I reached the last chapter of this novel, I realised that Kurt Vonnegut had taken me dancing, just as Rabo Karabekian had finally taken Mrs Circe Berman dancing.Unforgettable 71 year old Rabo sets off to write his autobiography, but soon discovers that it has equally become a diary of the summer of its writing in his elegant mansion on Long Island inherited from his recently deceased second wife, Edith.Rabo started his working life as a cartoonist and illustrator, devoted much of it to Abstract Expressionism which he tired of and ceased painting, but for one last work which tries to fill the gap between facile populist art They are a negation of art They aren t just neutral They are black holes from which no intelligence or skill can escape Worse than that, they suck up the dignity, the self respect, of anybody unfortunate enough to have to look at them and post modernist art works which aren t supposed to mean anything, and are about absolutely nothing but themselves Self ReflexivenessThere s a nice irony about this self reflexiveness, because it s actually a concern of the novel itself, which is much and far greater than a run of the mill work of white American male metafiction Rabo the illustrator and painter was an expert, if self trained, draughtsman you could really draw , a skill he largely abandoned, when he became part of the New York Abstract Expressionist movement His work reflected meat, but not soul, and that ultimately is the principal concern of the narrative How can Rabo get his soul groove his pure essence of human wonder back The answer might be in the potato barn he has used for a studio.The Anti Modernist MentorRabo s early mentor was Dan Gregory, a highly successful master of fake or counterfeit realism much in the style of Norman Rockwell His obituary describes him as possibly the best known American artist in history Gregory knew he had succeeded when he learned to pass a fake bank note for a real one Gregory makes Rabo promise to learn by heart the sentence, The Emperor has no clothes He regards modern art as found in the Museum of Modern Art as the work of swindlers and lunatics and degenerates How is that for trivia The Kitsch WriterCirce Berman is actually a popular author of kitsch young adult novels that are useful, frank and intelligent, but as literature hardly than workmanlike under the pseudonym, Polly Madison , who is writing a biography of her deceased husband, Abe a brain surgeon Rabo talks to her about the most pleasing aspects of being an artist She asks if it is having my first one man show, getting a lot of money for a picture, the comradeship with fellow painters, being praised by a critic Rabo asks Mrs Berman whether, for a writer, it is getting great reviews, or a terrific advance, or selling a book to the movies, or seeing somebody reading your book The Laying on of PaintIt s interesting to contrast painting and writing.Rabo seems to emphasise the process of painting the laying on of paint Mrs Berman says it s handing in a finished manuscript and never wanting to see it again Regrettably, too many post modernist authors rely heavily on critical acclaim or the acclaim of their coterie , especially those who derive their primary income from academia or writing courses that duplicate their own style Nowadays, of course, every novelty is celebrated immediately as a masterpiece Vonnegut, while claimed by post modernists as one of their own when trying to assert the importance of their movement, is often scorned because of his popular and commercial success, i.e., for developing a large and appreciative audience beyond the coterie the gang.So be it.There Ain t Nothing You Can t DoEarlier, an art lecturer says to Rabo Technically speaking, there s nothing you can t doI think I think it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do That is what attracts us to serious paintings, I think that shortfall, which we might call personality, or maybe even pain He adds The very first picture in your portfolio told me, Here is a man without passion And I asked myself what I now ask you Why should I teach him the language of painting, since there seems to be absolutely nothing which he is desperate to talk about Rabo s last painting remedies this defect, except that we can only perceive it in words Initially, he describes it as a watchamacallit. But eventually he tells us it is a portrait of a happy valley and the people who have been transported there at the end of the war in Europe.BluebeardThe title of the novel comes from a comment by Rabo to Mrs Berman I am Bluebeard, and my studio is my forbidden chamber as far as you re concerned But that s not where the novel ends.Goodbye It s your turn now.SOUNDTRACK view spoiler Dexys Midnight Runners Dance Stance hide spoiler


  7. Joaquin Joaquin says:

    Wow This was a novel that s going to keep me thinking for a long, long time It was everything jam packed into a small little book clever, tragic, engrossing, laugh out loud funny, imaginative, unexpected, and even transformative, I think There are so many layers to this book I m sure I ll be thinking about it off and on for the next several months at least and will almost definitely re read this book a number of times before I reach room temperature.Check it out The protagonist autobiographer is a veteran who lost an eye in WWII who later becomes one of the biggest jokes of the Abstract Expressionist art movement because all of his art disintegrates due to a poor choice of paint He started life as an illustrator who couldn t make it as a real artist because his paintings lacked depth and vision And then he goes off to WWII and LITERALLY LOSES HIS SENSE OF DEPTH by having one of his eyes shot out Ironically, I think it s this literal and figurative lack of depth perception that enables him to survive and not commit suicide while all of his other artist friends don t There is to this thing about eyes and perception, too When both his father and some other artists are at their most creative, their eyes become dead Half of this guy s eyes are already dead, so he s not able to see what they re seeing, so he can t be harmed driven to suicide by it It s only at the very end of the book, perhaps when he s finally old strong mature stable enough to cope with everything he s seen is he really able to paint something that combines the objective reality of illustration and the visceral experience of abstract expressionism This shit was some mind freeing stuff for me Reading it right now for some reason.And then there s the whole thing about forbidden rooms and curiositythe name of the book itself, and whatever it is that the guy has locked away in the potato barn Both the original Bluebeard story and Vonnegut s have curious, prying women, too.But the thing that s occupying my mind about the book right now is endings In one part of the book, a female character talks about how Ibsen s The Doll House ended the wrong way The Doll House s female lead leaves the house and everyone s left to assume she goes to Happily Ever After But the woman in Bluebeard believes she throws herself in front of a train Mostly because there really was no Happily Ever After for women at that time Only doll houses I read that and I m, like, Yeah, life is harsh and it s crappy to have books end happily Good books gotta end sad So then this book goes and ends on a positive note At first I was pretty bummed that everything works out in the end But then I thought, It s only ME who tacks on the Happily Ever After part Even though he has started the process of healing, this guy has a whole long row to hoe that is not going to be happy, pretty or any other easy positive word In the same way that Vonnegut s character has finally found a way to combine literal but soulless illustration with abstract expressionism, maybe I m getting closer to being able to see happily ever after, and life is still super hard as two sides of the same simultaneously experienced reality.I have been going on like this in my head since I finished this book 24 hours ago and things just seem to be speeding up, as far as I can tell The sign of a great book, in my book.


  8. Matthew Quann Matthew Quann says:

    This was a lovely reintroduction to Vonnegut after a nearly eight year hiatus I remember loving his style and staccato rhythm of his prose Slaughterhouse Five remains one of my favourite novels and was one of the first that made me think science fiction could be much than explosions and cool scenes Bluebeard, by contrast, is an entirely realist novel about the abstract expressionist art movement Although it s only a little bit about that too.What it s really about is Rabo Karabekian, ageing hermit, art collector, and life regretter with a secret something in his potato barn His hermitage is interrupted by Circe Berman, a writer of what sure sounds like YA novels, who endeavours to change his life, much to his chagrin The novel involves many other characters who would be poorly introduced by myself in comparison to their richness as presented by Vonnegut All the characters here are wonderfully realized and I was sad to see them go by novel s end.I love how Vonnegut is able to tie tethers through time to connect a character s past to their actions throughout their lives without shoving it down the reader s throat If Rabo is suffering, he does so without expending page upon page in melancholy and it s to Vonnegut s credit that he makes the reader feel it in a sentence or two The novel is structured as Rabo s memoirs, but plays loosely with linearity in a way that felt playful than willfully experimental In fact, it s a trait I remember loving from my earlier readings of Vonnegut.I m not sure if this is a well known Vonnegut novel, but I was pleasantly surprised when it was chosen as our latest book club read It was compelling, hilarious, heartfelt, and manages to be an uplifting story despite having some portions which seem like they would be highly unpleasant to have lived I was touched by many scenes and inexplicably astounded by the reveal in the potato barn even though it is no immense twist Bluebeard was a surprise and managed to slowly creep up on me with its charm This one is definitely worth a read and has helped to rekindle my love for Vonnegut.


  9. Kevin Shepherd Kevin Shepherd says:

    Vonnegut s 1987 indictment of the fickle subjectivism surrounding the art and artists of the post war era Vonnegut candles the egg, if you will, of expressionism and throws a little light on the lunacy that often surrounds modern art This novel, like every Vonnegut novel I ve ever read, is tragic but it has that patented KV infusion of humor and that familiar air of decency and humanity that makes it oh so enjoyable to read.


  10. Ben Babcock Ben Babcock says:

    I read Vonnegut now Vonnegut is cool.I have vague memories of reading Vonnegut before I have some very old, very pulp editions of some of his other novels that I er liberated from my father I swear I ve read Breakfast of Champions before, and I m pretty sure I read either Cat s Cradle or Player Piano at my sister s wedding I remember this because I was only 15, but the server still offered me wine I declined Suffice it to say, although Vonnegut is associated with some interesting memories, this is really the first of his novels that I have read as an adult, and the first one I remember well enough to review.Bluebeard is easy to read and, therefore, easy to dismiss Thanks to the conversational first person narration and the consistent switching between Rabo s reminiscences and the present day at his home in the Hamptons, Bluebeard feels like a light novel Yet this is also a story about genocide survivors, abusive relationships, the horror of war, and the horror of mediocrity This book is an excellent example of how levity can be just as good at delivering a polemic against war as gritty, realistic depictions like you might find in The Kindly Ones or in Hollywood movies.Vonnegut has some choice words for the way movies, in general, portray war His narrator, Rabo Karabekian, points out that most of the veterans in those movies are the age he was when he returned home, and not the young striplings whose lives are shattered on the front In general, as one familiar with Vonnegut might expect, utter disdain for war and for the glorification of war pervades Bluebeard, almost dripping off the pages What makes the book so impressive and so successful is how Vonnegut manages to do this in such a pithy way That was an ordinary way for a patriotic American to talk back then It s hard to believe how sick of war we used to be We used to boast of how small our Army and Navy were, and how little influence generals and admirals had in Washington We used to call armaments manufacturers Merchants of Death Can you imagine that Coming from a country whose armed forces are routinely ridiculed for their perceived lack of personnel or equipment, I totally can, Rabo I love this passage so much, because it demonstrates the irony of contemporary ideas of American patriotism failing to support the wars in Iraq or Afghanistan somehow makes one un American , or at the very least constitutes a suspicious action, a black mark on one s patriotism Vonnegut, the Vietnam War no doubt weighing heavily in his mind as he wrote this, wanted to remind us that the militaristic mindset that accompanied the United States rise as a twentieth century superpower was not always the status quo.Rabo Karabekian is an awesome narrator in general, because he does not bullshit He strikes me as a man who knows exactly who he is, who is comfortable with his place in the world, who accepts his flaws and failures and position of mediocrity In the end, he is as divested of illusions as it is possible for a human to be This is an incredibly refreshing type of narrator to have Rabo doesn t ask for forgiveness and doesn t offer up excuses beyond joining us in shaking our heads at his youthful na vety He is self deprecating, but he does not wallow in self pity He has been through war He married, divorced, married again, and survived his second wife He is American in citizenship and, mostly, in sentiment, yet he has taken up the flag of his father to carry on their cultural heritage as Armenians he leaves all his property and wealth to his estranged sons, on the condition that they legally change their names and those of his grandchildren back to Karabekian.So Rabo is complex yet comfortable, and he is definitely the heart of this story That might seem obvious given that Bluebeard is a fictional autobiography, but I would argue that there s a difference between being the main character in one s story and being its heart In the end, despite invoking a number of famous people both real and fictional , the story and its lessons are about and for Rabo Karabekian A different Rabo, one less sympathetic or clever, would still be the main character of his own life, but would he make the book enjoyable Would he be able to pull off the levity that allows Vonnegut to juxtapose war with abstract art I m not sure, but I m glad I don t have to find out Rabo owes this state of grace in part to his artistic struggles and the conflict between his technical mastery and his stillborn passion He also owes it, however, to the effects of Circe Berman, a widow who shows up on his private beach, invites herself to stay at his place, and slowly transforms his home and his life Overbearing and irksome, Circe is nevertheless a positive influence on Rabo I say this knowing full well that if some woman redirected my foyer without my permission, I, being the incorrigible 21 year old that I am, would probably not handle it as well as Rabo does, all things considered D The interaction between Rabo and Circe is by far one of the best aspects of Bluebeard, because it is rife both with real tension and with real respect between the two parties This is evident in how Rabo decides to reveal the contents of his potato barn to Circe.At one point, Rabo has a very frank conversation with his cook and her daughter, Celeste, in which we learn that despite employing her for years, Rabo has never remembered his cook s name it s Allison, Allison White Indeed, when Rabo kicks out Circe, Allison gives notice, stating that she can t stand working for him any without Circe around to improve the atmosphere of the house It s not that Rabo is a bad person, but he has fallen out of practice interacting with people as human beings, and Allison accuses him of being scared to death of women Rabo s relationships with women throughout Bluebeard are certainly interesting and rocky As an adolescent, he forms an attachment to Marilee Kemp, who is eleven years his senior and takes on the role of guardian angel patron saint, ultimately bringing Rabo to New York to apprentice to Dan Gregory Rabo eventually loses his virginity to Marilee and then foolishly takes her you have to leave now speech at face value, always thinking of her for years but never trying to win her back.When next they meet, she upbraids him thoroughly for this, and through her Vonnegut has some harsh words to deliver about war and women The whole point of war is to put women everywhere in that condition It s always men against women, with the men only pretending to fight among themselves They can pretend pretty hard sometimes, I said They know that the ones who pretend the hardest, she said, get their pictures in the paper and medals afterwards The condition to which Marilee refers is the situation of being desperate for food and protection for themselves and their children Viewed in this way, war is a mechanism for the oppression of women The reward for participating in this oppression is glory and power, which is exactly what is promised for participating in colonialism imperialism as well Lecturers traveled all over Northern Europe with such pictures in olden times With assistants to unroll one end and roll up the other, they urged all ambitious and able persons to abandon tired old Europe and lay claim to rich and beautiful properties in the Promised Land, which were practically theirs for the asking.Why should a real man stay home when he could be raping a virgin continent It s all very tongue in cheek, but there is also a layer of seriousness here, because Vonnegut is both condemning the imperialism of the past which is easy to do and criticizing our society for letting it continue We acknowledge the wrongs of the past even as we deny those of the present I know that, for me personally, we learned about atrocities like the residential schools in Canadian history class, but there was always this subtext that things are better now Well, they are better, in some ways, and maybe in other ways they re worse too When you grow up and leave the history classroom for the less comfortable world outside, you realize that nothing is really so simple as the textbook makes it appear And so I conclude with my single most favourite quotation from Bluebeard The darkest secret of this country, I am afraid, is that too many of its citizens imagine that they belong to a much higher civilization somewhere else That higher civilization doesn t have to be another country It can be the past instead the United States as it was before it was spoiled by immigrants and the enfranchisement of the blacks.This state of mind allows too many of us to lie and cheat and steal from the rest of us, to sell us junk and addictive poisons and corrupting entertainments What are the rest of us, after all, but sub human aborigines I was born in 1989, so I can t attest to the zeitgeist Vonnegut was addressing when he wrote Bluebeard Nevertheless, the above quotation certainly captures my mind in 2011 We celebrate and rightly so the declarations of human rights, of equality regardless of gender or ethnicity or sports team, the victories we have so far achieved Yet there is still so much to do, so much inequality to address, not only within countries that lack or struggle with democracy but even in so called developed countries like Canada and the United States Yes, in 1867 we became an independent dominion, and a parliamentary democracy as well But it wasn t until 1918 that women could vote federally And, I did not know this, but according to Wikipedia, prior to 1960, First Nations people had to give up their status in order to vote So we can be proud of being 144 years old, Canada, but it has been a long, hard road towards equality, and we still aren t there yet.But I digress I digress, because even though Bluebeard is a thin book with a light tone, it makes me meditate upon weighty subjects I have to commend Vonnegut for this, for he has created a book that raises important questions yet still leaves me curiously uplifted With that secret in the potato barn, I feel like Rabo is saying to us, Come on, people, let s get our act together we can do this We can remember the past, learn from the past, and avoid repeating its mistakes But first we must remove the scales from our eyes and sacrifice our illusions to see the world as it is And this is where I attempt to connect all of this to the motif of abstract art, which thus far I have lamentably neglected Rabo can draw so realistically that it is scary he doesn t exercise this talent, however, because, it s just too fucking easy And as we see repeatedly throughout Bluebeard, depicting the world ultra realistically is not the same thing as seeing it Sometimes a strip of tape is secretly six deer in a forest glade.